Imagine taking these pictures with 3, 7, 10 years of difference. I assure you that every face is different. I invite any of you to take yourself a photo in the morning after a bath and a good breakfast, another in a party at 3:00 in the morning when you are drunk and you have danced all night long and the other next day when you wake up with a big hangover.
I make the remark that if all of it were not so far-fetched story, William Campbell would be my idol.Ĥ. He has written special songs, he has made wonderful music and every album he brings to market is better than the previous one. And he has continued doing this for 50 years. However this super extraordinary genius, because he could be called differently, learned to play guitar, bass, banjo, ukulele, drums, piano and organ like a left-handed person and also learned to write exactly like Paul with his left hand. William Campbell, not only looked like Paul, he could sing, talk, walk, move and gesticulate like him,( something that any good mimicker can do) but in addiction to this he was right while Paul was left-handed. Which you can see clearly in the video “Paperback Writer “) and those surgeons were so extraordinary that at the middle of the nest year the new Paul was so perfect that he could make the film “Magical Mystery Tour”(which by the way he directed), also accompanied by the other Beatles, a lot of musicians, dancers, actors, models and ordinary people.ģ.-This hypothetical Mr. It is assumed that the hypothetical William suffer surgery after surgery to make him exactly like Paul (including scars and broken tooth that already Paul had since 1965 when he had a motorcycle accident. You really think they had so much power and money to buy them all? Hundreds of people and nobody noticed the difference or pretended to be blind because they were bought? Imagine that someone tells you that he is your cousin “John Doe” but he’s only some guy that looks a lot like him, wouldn’t you notice the difference? You can fool or buy everyone? It was necessary to do that?Ģ.-We are talking about 1966, when there was not even laser surgery or dentistry.
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If you add workers clubs, sound technicians, wives of the other Beatles, parents, uncles, cousins of their wives, TV people that worked close to them, and I could continue adding people. Born and raised in a family with parents, siblings, uncles, cousins, the wives/husbands of the uncles and cousins, had neighbors, fellow students, in the case of The Beatles they had friends when they were only kids who made music, even with different drummers, they had fans that followed them everywhere, etc. Sorry if I make mistakes but my language is the Spanish.ġ.-The famous person (unless he/she is born famous) not always was. Mother Mary really did say it best: let it be. But anyone with limited patience for cinematic stupidity can stop this mess at any point and drive the Magical Mystery Tour bus through the film’s holes of logic.
A few new claims, such as tying the murder of John Lennon to an MI5 plot to keep this story under wraps, are also aired.īeatles fans might have some fun with the wealth of vintage news footage and photographs that are gathered here – none of the Fab Four’s songs were licensed, however – and conspiracy theorists will get indigestion gobbling up the film’s servings. Yes, all of the oddball album covers, pun-filled lyrics, backwards-played music and curiously posed photographs are trotted out and presented as the honest-to-goodness truth. This film, which is narrated by someone that sounds absolutely nothing like Harrison, runs an inventory of every well-worn allegation raised in the “Paul is dead” scenario. The parcel had no return address, and there was no explanation why that particular company – as opposed to a serious news organization – was chosen to receive the material. Highway 61 Entertainment, the company behind this film, insists that in 2005 it received a parcel from London that contained a micro-cassette recorder and two tapes narrated by someone who supposedly sounded like Harrison. But this basic tenet of film appreciation is stretched far beyond the fraying point with Joel Gilbert’s utterly ridiculous documentary, which is rooted on the insistence that George Harrison left behind audio recordings that confirmed the late 1960s urban legend of Paul McCartney’s automobile accident death and secret replacement by a ringer.
A great deal of the magic of motion pictures comes in the audience’s ability to suspend practical thought and accept the most outlandish concepts imaginable.
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